THROUGH 7/28: Young Frankenstein Delivers Excess, Glitz, and Ecstatic Filth at Matthews Playhouse
MATTHEWS, NC – Just turned 98, Mel Brooks has overachieved in every way possible, including...
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Category: Musical Theatre
Celebrating Queer Joy in One Voice Chorus’ “Rags to Riches”
CHARLOTTE, NC – June is Pride month, a time dedicated to the celebration of the LGBTQ+ community while recognizing its activist roots, particularly in the Stonewall Uprising of 1969. In the midst of ever-present struggles for...
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THROUGH 6/16: Camel City’s “Bat Boy” Rocks the House, Makes ‘Em Laugh, Makes ‘Em Cry
There are so many interesting themes in “Bat Boy” that I hardly know where to start. It’s a parody of group think, prejudice, and mob hysteria. It is an allegory of the outsider. It is a Jungian examination of our shadow side, and a call to integrate our animal and human natures, as the last line of the play suggests: “Don’t deny the beast inside.”
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Through 4/21: Midsummer magic – mostly: Burning Coal Theatre’s A LITTLE NIGHT MUSIC
The romantic conceit dates back before Ingmar Bergman’s 1955 classic, Smiles of a Summer Night, and well before Shakespeare: when humans have gotten themselves stuck in the worst partnerships possible (or, even worse, in abject celibacy), the magic of a midsummer’s night can sort everything out, bring the right pairs together in spite of themselves and restore harmonic community, dyad by dyad.
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Triangle Theatre and Dance 2023: The Best of What We Saw
Since end-of-year wrap-ups inevitably use a lot of figures, let’s start with the most improbable one of all: 338, for the number of theater and dance productions staged in North Carolina’s Triangle region during 2023. For those counting, it was an all-time high in terms of yearly output for the area, a remarkable comeback for the two art forms that had been most threatened during the first three years of the COVID-19 pandemic.
No, we couldn’t see them all. The curated lists here of superlatives come from the one-hundred shows we did view from the region’s major companies and selected up-and-comers through the year.
The only way a region produces 338 different shows is with a large pool of artists and an even more extensive community of support. Those whose job it is to fret over even good news wondered at year’s-end how sustainable such a level of output could be. We’ll get an answer to that question in the coming year.
Read MoreTHROUGH 10/29: What We (Haven’t) Learned from History: Burning Coal’s Arcadia and Stone Soup’s Cabaret
The fall in the Triangle has been dotted with a number of notable historical plays, from Ma Rainey’s Black Bottom, August Wilson’s blues memoir at Pure Life Theatre, and Ona at Odyssey Stage to Scrap Paper...
Read MoreHit the Wall Reminds Us of the Continuing Relevance of the Stonewall Riots
On the eve of the annual Charlotte Pride Festival & Parade, a series of LGBTQ+ events spread across the city in the coming week, Queen City Concerts has chosen a perfect moment to commemorate the Stonewall Riots of 1969, a watershed moment for gay liberation and empowerment. Best known for their resourceful reductions of big musicals to a more bare-bones concert format, Queen City has previously shattered their own template with a fine script-in-hand production of Tony Kushner‘s Angels in America, Parts 1 and 2. Three months later, after a return to form with Diana: The Musical late last month, the company has shown us that Angels wasn’t a fluke, staging the local premiere of Ike Holter‘s Hit the Wall, a 2012 play with music that premiered in Holter’s hometown of Chicago before director Eric Hoff restaged his original Steppenwolf Garage production with a New York cast. That Off-Broadway production opened in the spring of 2013 at the Barrow Street Theater, not far from Christopher Park in Greenwich Village, where much of the original action went down.
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A Testament to Young Artistry: BMC’s Into the Woods
Stephen Sondheim is regaled as one of, if not the, greatest musical theatre composer of the past century. His work spanned a career of over 60 years, including staples of the American theatrical genre such as Sweeney Todd, Company, and of course, Into the Woods. Sondheim’s passing in 2021 was a deep wound for the musical theatre community at large, with many considering it the end of an era for the genre. However, with great loss comes great change. Sondheim’s shoes cannot be filled, but his legacy can continue to inspire and raise artists to new heights. Last night’s production of Into the Woods at the Brevard Music Center confirmed that the future of musical theatre is as bright as the young artists who took the stage with the discipline, passion, and commitment of true professionals.
Read MoreTHROUGH 8/6: Opera House Theatre Company Enchants with Disney’s The Little Mermaid
From the moment the house lights dimmed and the curtain rose, the audience in attendance on opening night of Opera House Theatre Company’s production of Disney’s The Little Mermaid was transported into an underwater...
Read MoreTHROUGH 7/2: Opera House Theatre Company Dazzles with Ragtime
Whether performing a universally recognized musical like Beauty and the Beast or a less commercially known show like Ragtime (now being presented by Opera House Theatre Company), localizing beloved Broadway productions...
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THROUGH 6/11 and SOLD OUT!: Carolina Civic Center Recaptures the Magic of Beauty and the Beast on Opening Night
On Wednesday night, the Carolina Civic Center began their five-day production of Disney’s...
Read MoreA Grand Goodbye: Celebrating Sondheim with the Salisbury Symphony Orchestra
Maestro David Hagy who has served as the conductor of the Salisbury Symphony Orchestra for thirty-five years, had a spectacular final subscription concert this past Saturday! Complete with four vocal soloists, an ensemble,...
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