Amid the sepulchral gloom of world events there are many things for which we may still be thankful. Among these are some great Broadway musicals, shows that project American optimism and confidence. And one of the greatest of these is West Side Story, Leonard Bernstein’s classic retelling of the Romeo and Juliet story, transplanted to New York City. The Maestro’s DGG recording is, in my view, among his weaker studio efforts, overshadowed on many levels by the more exuberant and sometimes fresher original cast version. But the studio version was the first time he himself had conducted it. And he said he did it exactly the way he’d always wanted to hear it. And the 90-minute documentary of the recording sessions, showing him at work with the stellar opera singers he brought together for this project, is revelatory throughout. So if SpongeBob flying from cables is not your cuppa…, forego the Macy’s parade on Turkey Day and check out this great Lennie show instead, at https://www.youtube.com/watch?v=j3SEW63LsaM. You’ll be glad you did. Thankful, even!
About The Author
Maggie Pate
Maggie Pate is a native North Carolinian with an extensive background in the performing arts. Maggie holds a Bachelor of Music in Vocal Pedagogy from East Carolina University, attended Berklee College of Music, and obtained a M.S. Ed. from Sunbridge College, New York. Having been on both the North Carolina and Washington State Visiting Artist rosters, Maggie has performed throughout the United States in both classical and jazz genres and as well in musical theatre and dance. Some of her most noted local performances include the soprano soloist of Stravinsky's Les Noces and spearheading a concert for Sights and Sounds at the North Carolina Museum of Art. Maggie is a member of the North Carolina Master Chorale. Maggie has worked for professional organizations within the arts including the Thelonious Monk Institute, WHR-Wilmington, Performance Support Services of Seattle, Long Leaf Opera Company. Maggie has held the position of music and dance editor for CVNC since 2015. She is now honored to be moving into the role of Editor in Chief for the organization as of 2021. Maggie is also currently the business development manager for choral music in North America for Oxford University Press.