Just weeks after the death of Karin, word has reached us of the death of George Stephens, to whom the State of North Carolina owes much, for his advocacy for the arts and specifically for the development of performing arts facilities in the Triangle. It was his two performing arts center task forces that paved the way to what was originally known as the BTI Center, the amalgam of Memorial Auditorium with the saddlebag theatres of Meymandi Concert Hall and Fletcher Opera Theater and with the addition of the black box room known as Kennedy Theatre. Due to COVID, there will be no in-person memorials. Appropriate recognition of lives well lived will surely follow in due course. Our sympathies go out to the family. RIP, Dear Friends!
About The Author
Maggie Pate
Maggie Pate is a native North Carolinian with an extensive background in the performing arts. Maggie holds a Bachelor of Music in Vocal Pedagogy from East Carolina University, attended Berklee College of Music, and obtained a M.S. Ed. from Sunbridge College, New York. Having been on both the North Carolina and Washington State Visiting Artist rosters, Maggie has performed throughout the United States in both classical and jazz genres and as well in musical theatre and dance. Some of her most noted local performances include the soprano soloist of Stravinsky's Les Noces and spearheading a concert for Sights and Sounds at the North Carolina Museum of Art. Maggie is a member of the North Carolina Master Chorale. Maggie has worked for professional organizations within the arts including the Thelonious Monk Institute, WHR-Wilmington, Performance Support Services of Seattle, Long Leaf Opera Company. Maggie has held the position of music and dance editor for CVNC since 2015. She is now honored to be moving into the role of Editor in Chief for the organization as of 2021. Maggie is also currently the business development manager for choral music in North America for Oxford University Press.