John and June Allcott Gallery

Xuewu Zheng examines history and contemporary experiences in a very personal way and thinks about the cultural relationships between the East and the West. He integrates philosophy, religion, and everyday reflections into his art, opening the language gap between Eastern and Western cultures and paying attention to the relationship between humans, nature, and modern civilization. He also thinks that the process of artistic practice is ordinary labor, a simple and natural creation, and a consciousness of action.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.

Antoine Williams is an interdisciplinary artist who is heavily influenced by speculative fiction, critical Black studies and his working-class upbringing in Red Springs, North Carolina.  He works with the notion of society as monstrous to question themes of power and class within their social, cultural, and political absurdities. Artworks act as ledgers documenting societal infractions. His work sits at the intersection of speculative fiction, monster theory, surrealism, and critical race theory. The result is a process-based practice involving installation, painting, drawing, collage, assemblage, and sound. He uses materiality and concept to weave futures, archives, radical imagining into speculative economies that investigate the complexities of contemporary Black life.