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Donna Coleman’s worldwide recognition encompasses award-winning recordings, major prizes in international competitions, concert tours around the planet, and invitations from music schools on four continents for teaching and performance residencies. She is renowned for her interpretations of the music of Charles Ives, with two acclaimed recordings on the Et’cetera label, one of which, the "Concord" Sonata (KTC 1079) received France’s Diapason d'Or upon release. In his review, Christian Tarting wrote, “This Second Pianoforte Sonata . . . finds here its most convincing recorded version, due to its assertion, the assurance in its manner of effectively carrying out each detail, its analytical finesse.” Her half-century of research and study of Charles Ives and his music has been guided and supported by John Kirkpatrick, Curator of the Ives Collection of manuscripts at Yale University and pianist who gave the first complete performance of the “Concord” Sonata in 1939, by William Masselos, who gave the first performance of the Piano Sonata No.1 in 1948, and by Lou Harrison who copied that sonata from Ives’s manuscripts. In addition to performances and recordings of nearly all of Ives’s repertory for the solo piano, Coleman has performed and taught the Trio, the violin sonatas and other […]