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Latest Reviews

An Idle Mind..., Part II: Korngold's Film Scores

Film, Music Review by John W. Lambert,  May 7, 2020

On Dance: Reflecting on the Past while Planning for the Future

Dance Review by Cecilia Whalen,  May 4, 2020

Listening to the Music in My Backyard: Thoughts While Sequestered at Home

Music Review by Karen E. Moorman,  April 23, 2020

The Death of Classical Music?

Music Review by Ken Hoover,  April 13, 2020

An Idle Mind..., or How We Came to Examine All the Film Scores of Shostakovich

Film, Music Review by John W. Lambert,  April 10, 2020

How Quickly Can the Music Trade Adapt in the Age of COVID-19?

Music Review by Maggie Pate,  April 8, 2020

A Little Essay on How to Write Music on Paper

Music Review by Bill Robinson,  April 6, 2020

What Is a Wagner Society and Where Did It Come From?

Music Review by Ken Hoover,  March 31, 2020

Surviving Coronavirus 101: What Artists Can Do to Keep Calm and Create On

Music Review by Chelsea S. Waddelow,  March 27, 2020

Zephyr Brings Delightful Baroque Chamber Music Treats

Chamber Music, Early Music Review by Ken Hoover,  March 8, 2020

Superb Sibelius Violin Concerto in Winston-Salem

Orchestral Music Review by Peter Perret,  March 8, 2020

RSO Presents Mahler with Thandolwethu Mamba, Baritone

Vocal Music Review by John W. Lambert,  March 7, 2020

The Raleigh Boychoir Breaks the Mold with Stage and Screen Hits

Choral Music Review by Chelsea Huber,  March 7, 2020

Chanticleer Perseveres Brilliantly with Fewer Singers

Choral Music, Vocal Ensemble Review by Geoffrey Simon,  March 6, 2020

Meredith Monk Presents an Exciting New Multidimensional Art Form

Contemporary Music, Performance Art Review by Doris B. Powers,  March 6, 2020

Charlotte Symphony's Missa Solemnis Thrills with Power and Sublimity

Choral Music, Orchestral Music Review by Perry Tannenbaum,  March 6, 2020