This preview has been provided by the UNC-Chapel Hill Music Department.
The University of North Carolina at Chapel Hill Department and the William S. Newman Scholarship Series are pleased to present mezzo-soprano Frederica von Stade in guest recital on March 5, 2013 at 7:30 pm in Hill Hall Auditorium on the campus of UNC-Chapel Hill. Accompanied by pianist James Meredith, the celebrated “Flicka” will perform a selection of songs with special significance to her remarkable career.
Described by the New York Times as “one of America’s finest artists and singers,” von Stade has appeared in leading roles with every major American opera company (Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, and Los Angeles Opera) as well as Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera. An impressive versatility has led her to an ever-broadening spectrum of musical styles and dramatic roles, from Italian bel canto to the French repertoire to operetta and musical theater.
As a recitalist, von Stade combines expressive vocalism and exceptional musicianship with a rare gift for communication. Her solo repertoire encompasses a rich variety, from the classical style of Mozart and Haydn to the popular songs of Broadway’s greatest musicals; from Italian “Arie antiche” to the songs of contemporary composers such as Dominick Argento and Jake Heggie.
Von Stade will be joined by North Carolina native and UNC alumnus James Meredith. Their musical partnership has been featured in such prominent venues as the nationally syndicated radio program Prairie Home Companion. Coming full circle, Meredith returns to Chapel Hill to headline the annual performing arts series named for his former teacher, William S. Newman. As with all William S. Newman Scholarship Series events, all proceeds go directly to funding student scholarships in the UNC Department of Music.
General admission tickets to for the event are $25 ($10 for UNC students), available at the door or in advance. For information and advance tickets, contact the UNC Department of Music at (919) 962-1039 or firstname.lastname@example.org.
A Life in Song
Ned Rorem: I Am Rose (Gertrude Stein)
Marguerite Monnot/Louis Guglielmi: La vie en rose (Édith Piaf)
Jake Heggie: Paper Wings (Frederica von Stade)
2. Paper Wings
Maurice Ravel: Cinq mélodies populaire grecques (trans. Michel-Dimitri Calvocoressi)
5. Tout gai!
Virgil Thomson: A Prayer to St. Catherine (Kenneth Koch)
Aaron Copland: Twelve Poems of Emily Dickinson
3. Why Do They Shut Me Out of Heaven?
Francis Poulenc: Banalités (Guillaume Apollinaire)
4. Voyage à Paris
Ned Rorem: Early in the Morning (Robert Hillyer)
Marc Berthomieu: Les Jardins de Paris (Daniel Schmitt)
Square Georges Cain
Jardins D'Albert Kahn
Bois de Boulogne
Frédéric Chopin: Nocturne in C Minor, Op. 48
Gustav Mahler: Lob des hohen Verstands (from Des Knaben Wunderhorn)
Jules Massenet: Va! laisse couler mes larmes (from Werther, Blau/Milliet/Hartmann)
Carol Hall: Jenny Rebecca
Jake Heggie: Paper Wings (Frederica von Stade)
4. A Route to the Sky
Giacomo Puccini: L'Ucellino (Renato Fucini)
William Bolcom: Amor (Arnold Weinstein)
Maurice Ravel: Nicolette (Maurice Ravel)
Gustav Mahler: Ich bin der Welt abhanden gekommen (Friedrich Rückert)
Stephen Sondheim: Send in the Clowns (from A Little Night Music, Sondheim)
ABOUT THE ARTISTS
FREDERICA von STADE, mezzo-soprano
Described by the New York Times as “one of America’s finest artists and singers,” Frederica von Stade continues to be extolled as one of the music world’s most beloved figures. Known to family, friends, and fans by her nickname “Flicka,” the mezzo-soprano has enriched the world of classical music for three decades.
Miss von Stade’s career has taken her to the stages of the world’s great opera houses and concert halls. She began at the top, when she received a contract from Sir Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with that company. In January 2000, the company celebrated the 30th anniversary of her debut with a new production of The Merry Widow specifically for her, and in 1995, as a celebration of her 25th anniversary, the Metropolitan Opera created for her a new production of Pelléas et Mélisande. In addition, Miss von Stade has appeared with every leading American opera company, including San Francisco Opera, Lyric Opera of Chicago, and Los Angeles Opera. Her career in Europe has been no less spectacular, with new productions mounted for her at Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera. She is invited regularly by the finest conductors, among them Claudio Abbado, Charles Dutoit, James Levine, Kurt Masur, Riccardo Muti, Seiji Ozawa, André Previn, Leonard Slatkin, and Michael Tilson Thomas, to appear in concert with the world’s leading orchestras, including the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, London Symphony Orchestra, Washington’s National Symphony, and the Orchestra of La Scala.
With impressive versatility, she has effortlessly traversed an ever-broadening spectrum of musical styles and dramatic characterizations. A noted bel canto specialist, she excelled as the heroines of Rossini’s La cenerentola and Il barbiere di Siviglia and Bellini’s La sonnambula. She is an unmatched stylist in the French repertoire: a delectable Mignon or Périchole, a regal Marguerite in Berlioz’ La damnation de Faust, and, in one critic’s words, “the Mélisande of one’s dreams.” Her elegant figure and keen imagination have made her the world’s favorite interpreter of the great trouser roles, from Strauss’ Octavian and Composer to Mozart’s Sesto, Idamante and - magically, indelibly - Cherubino. Miss von Stade’s artistry has inspired the revival of neglected works such as Massenet’s Cherubin, Thomas’ Mignon, Rameau’s Dardanus, and Monteverdi’s Il ritorno d’Ulisse in patria. Her ability as a singing actress has allowed her to portray wonderful works in operetta and musical theater including the title role in The Merry Widow and Desirée Armfeldt in A Little Night Music. Her repertoire is continually expanding with the works of contemporary composers. She created the role of Tina in Dallas Opera’s world premiere production of Dominick Argento’s The Aspern Papers(a work written for her) as well as the role of Madame de Merteuil in the Conrad Susa’sDangerous Liaisons and Mrs. Patrick De Rocher in Jake Heggie’s Dead Man Walking, both for San Francisco Opera.
Frederica von Stade continues to create compelling new stage portrayals. In 2005, Los Angeles audiences saw her first-ever performances of the title role in La Grand Duchesse de Gerolstein in a new production directed by famed movie director Garry Marshall for Los Angeles Opera. Later that season, she gave her first performances as Ottavia in L’Incoronazione di Poppea with Houston Grand Opera, a role she reprised for Los Angeles Opera in the 2006-07 season.
Frederica von Stade’s orchestral repertoire is equally broad, embracing works from the Baroque to those of today’s composers. She has garnered critical and popular acclaim in her vast French repertoire as one of the world’s finest interpreters of Ravel’sShéhérazade, Berlioz’s Les nuits d’été, and Canteloube’s Les chants d’Auvergne as well as the orchestrated songs of Debussy and Duparc. She is continually in demand for the symphonic works of the great Austrian and German composers including Mozart and Mahler, as well as the new works of American composers.
It was the American composer Richard Danielpour who in 1998 helped Frederica von Stade to realize an artistic and personal dream when he wrote Elegies. The work, scored for orchestra, mezzo-soprano and baritone, is a tribute to Miss von Stade’s father, Charles von Stade, who was killed in the final days of World War II, and is based on the text of letters Mr. von Stade sent to his wife during the war. It is through these letters that Frederica von Stade came to know her father, who died two months before her birth. In January 1998 the Jacksonville Symphony, led by Roger Nierenberg, offered the world premiere of Elegies with performances in Florida and in New York’s Carnegie Hall.Elegies is available on SONY Classical and has been performed throughout North America and Europe.
Unparalleled in her artistry as a recitalist, Miss von Stade combines her expressive vocalism and exceptional musicianship with a rare gift for communication, enriching audiences throughout the world. Here, too, her repertoire encompasses a rich variety, from the classical style of Mozart and Haydn to the popular songs of Broadway’s greatest musicals; from Italian “Arie antiche” to the songs of contemporary composers - who compose especially for her - such as Dominick Argento and Jake Heggie. She continues to explore new music and recently brought a program of the songs of Pauline Viardot to London’s Wigmore Hall and the Théâtre Musical de Paris.
She has made over seventy recordings with every major label, including complete operas, aria albums, symphonic works, solo recital programs, and popular crossover albums. Her recordings have garnered six Grammy nominations, two Grand Prix du Disc awards, the Deutsche Schallplattenpreis, Italy’s Premio della Critica Discografica, and “Best of the Year” citations by Stereo Review and Opera News. She has enjoyed the distinction of holding simultaneously the first and second places on national sales charts for Angel/EMI’s Show Boat and Telarc’s The Sound of Music.
Miss von Stade appears regularly on television, through numerous PBS and other broadcasts. In 2002 she was seen on national television in a concert with the Mormon Tabernacle Choir as part of the opening ceremonies of the Salt Lake City Winter Olympic Games. In 2001 she participated in the opening of Philadelphia’s Kimmel Center for the Performing Arts performing in a concert together with Sir Elton John, Andre Watts, and the Philadelphia Orchestra. Other highlights of recent television appearances include a gala concert with the San Francisco Symphony to open the 1998-99 season at New York’s Carnegie Hall and a “Live from Lincoln Center” television event opening the 1999 season of the Mostly Mozart Festival, both broadcast throughout North America. She can be seen in “Live from the Met” performances as Cherubino, Hansel, and Idamante, and through PBS broadcasts of her celebration of the art of American song with Thomas Hampson, Marilyn Horne, Dawn Upshaw and Jerry Hadley in a program at New York’s Town Hall titled “I Hear America Singing,” as well as a program with Tyne Daly which included arias, art songs and popular crossover material. Also seen on PBS were a holiday special, “Christmas with Flicka,” shot on location in Salzburg, “A Carnegie Hall Christmas” with Kathleen Battle, and an evening of operatic and musical theater selections with Samuel Ramey and Jerry Hadley titled “Flicka and Friends.” Her recent portrayals in Dangerous Liaisons and The Aspern Papers were broadcast throughout North America. She can also be seen in the Unitel film of the classic Jean-Pierre Ponnelle production of La cenerentola.
Frederica von Stade’s 2008-2009 season included recital appearances in Denver, Chicago (opposite Barbara Cook and Dianne Reeves) and Cleveland. She toured Asia with the UBS Verbier Festival Orchestra with stops in Singapore, Taipei and Tokyo. She reprised her role of Madeline in Jake Heggie’s new chamber opera Three Decembers at San Francisco Opera, a work the composer composed specifically for her. Ms. von Stade also appeared in duo recital and concert with longtime colleague Samuel Ramey at the Kennedy Center, Washington DC, as well as in Seattle, Charleston, Tampa, Providence, RI and Austin, TX. She also honored her beloved colleague Marilyn Horne in the celebration of her 75th birthday at Carnegie Hall.
Frederica von Stade is the holder of honorary doctorates from Yale University, Boston University, the San Francisco Conservatory of Music (which holds a Frederica von Stade Distinguished Chair in Voice), the Georgetown University School of Medicine, and her alma mater, the Mannes School of Music. In 1998 Miss von Stade was awarded France’s highest honor in the Arts when she was appointed as an officer of L’Ordre des Arts et des Lettres, and in 1983 she was honored with an award given at The White House by President Reagan in recognition of her significant contribution to the arts.
JAMES MEREDITH, pianist
One of the San Francisco Bay Area's most well rounded musicians, James Meredith conducts the country's acclaimed Sonos Handbell Ensemble. This group's nationally recognized CDs have been played by classical music stations throughout the US. The San Francisco Examiner called it "sensational." A recording for a video shown in Bose Corporation stores around the world, demonstrating surround sound speaker systems, included artists such as Yo Yo Ma and the Cinncinati Pops.
A native of North Carolina, Mr. Meredith received his Bachelor of Arts degree from the University of North Carolina at Chapel Hill (a pupil of William Newman) and a Master of Fine Arts degree from Tulane University. He is a musical partner with mezzo-soprano Frederica von Stade and dramatic soprano Olivia Stapp. As a solo pianist, vocal and instrumental accompanist and conductor in America, Europe and Asia, his work has brought him into contact with such artists as Elly Ameling, Elizabeth Schwarzkopf, Eleanor Steber, Evelyn Lear and Gerald Moore for whom he played masterclasses. He has been pianist Dalton Baldwin's assistant in art song in summer masterclasses at the French Conservatory in Nice. Concerts with Ms. Von Stade included a recent appearance on Garrison Keillor's "A Prairie Home Companion" reaching a National Public Radio audience of over two million listeners and two concerts with Sonos in a premiere of Libby Larsen’s “Hell’s Belles.” He has been Music Director of the Oakland Symphony Chorus, was on the faculty of Merritt College, taught masterclasses at Holy Names College, directed the Festival Opera chorus for two seasons, teaches yearly Art Song masterclasses at San Jose State University and is currently on the voice/piano faculty at UC-Berkeley with the award-winning Young Musicians Program where his students are accepted at all of the major universities and conservatories.
Mr. Meredith is the author of many arrangements and transcriptions. His first major work, Kodo Tryptich, for handbells, handchimes and percussion was premiered at the 1997 AGEHR Directors' Seminar to great critical acclaim and has been performed multiple times since its premiere. His work, Natura, for bells/chimes/percussion and girls chorus was commissioned by the Grammy-winning San Francisco Girls Chorus and premiered by Sonos with the chorus in San Francisco. He is CEO of Meredith Music Press which publishes advanced music for handbells sold nationwide and internationally.