North
Carolina Shakespeare Festival: An Epidemic of
Mistaken Identities Fueled
the Fun in
William Shakespeare’s Comedy of Errors
by
Robert W. McDowell
Slapstick and an epidemic of mistaken identities,
plus wonderfully witty (and sometimes wicked) wordplay, fueled the fun
in The
Comedy of Errors by English dramatist William Shakespeare,
which the North Carolina Shakespeare Festival of High Point, NC performed
on Oct. 4th and 7th in A.J. Fletcher Opera Theater in the Progress
Energy Center for the Performing Arts in Raleigh. The handsomely appointed
two-story Renaissance set by Brad Archer, the artful illumination
by lighting designer Todd Wren, and the colorful ancient Roman attire
by costume designer Laura Simcox added pizzazz to the lively production,
staged with brio by director Ron Bashford.
Years before the play begins, twin brothers named Antipholus
and their slaves, also twins and both named Dromio, are separated by
shipwreck. Antipholus of Syracuse (David Foubert) and his slave Dromio
(Willie Repoley) grow up in Syracuse with Antipholus’ father, peripatetic
merchant Egeon (Allan Edwards). Meanwhile, Antipholus of Ephesus (former
Raleigh Ensemble Players actor and staff member David Harrell) and
his slave Dromio (Bradley Brown) grow up in Ephesus. Eventually, Antipholus
of Syracuse decides to journey to Ephesus, which is hostile to all
things Syracusan, in hopes of finding his missing brother. Somewhat
later, his father Egeon follows him to Ephesus, but is immediately
arrested on orders of Ephesus’ officious governor Duke Solinus
(John Woodson) and given one day to pay an enormous fine or face execution.
The Comedy of Errors is the story of what happens when Antipholus
and Dromio of Syracuse belatedly arrive in Ephesus, and unknowingly
turn the town upside-down as they are repeatedly mistaken for Antipholus
and Dromio of Ephesus. The dueling Antipholuses of David Foubert and
David Harrell and the twin Dromios of Willie Repoley and Bradley Brown
are crisp comic characterizations, as is the Egeon of Allan Edwards
and the Duke of John Woodson.
Also amusing are Sara Valentine as Adriana, the bewildered wife of
Antipholus of Ephesus, and Gisela Chipe as her sister Luciana, for
whom Antipholus of Syracuse falls head over sandals and woos, creating
a big crisis in the household of Antipholus of Ephesus. Other crackerjack
comic characterizations include Graham Smith as Dr. Pinch the exorcist,
Lucius Houghton as Angelo the campy goldsmith, and Rhyn McLemore as
a feisty Courtesan.
Comic cameos by Catori Swann as an Officer of the Duke; Lesley Hunt
as an Abbess; Ali Bayless as Luce, household servant of Antipholus
of Ephesus; and Mark Lazar as Another Merchant also deserve mention.
With its earthy humor and hilarious comic hijinks, The
Comedy of Errors provided a welcome diversion for Triangle audiences.
Shakespeare once again proves the timelessness of his justly celebrated
scripts.
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