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REVIEW:
Broadway Series South:
Miss Saigon Superbly Dramatizes the Fall of Saigon and Its Horrific Aftermath
by
Robert W. McDowell
If you are looking for a bright, buoyant, feel-good musical, Miss
Saigon is not it. The current U.S. tour of this prize-winning PG-13
rated musical extravaganza, now playing Raleigh Memorial Auditorium
as an encore presentation of Broadway Series South, dramatizes
one of the darkest and ugliest chapters of American military history:
the Fall of Saigon on April 29-30, 1975, and its horrific aftermath
for the Vietnamese people who helped the U.S. war effort.
The subject of this magnificent rock opera, with book and songs
by Les
Misérables creators Claude-Michel Schönberg and
Alain Boublil, plus lyrics by Richard Maltby, Jr., is the stuff
of nightmares. Saigon on the eve of its capture by
the North Vietnamese Army is a veritable cesspool of decadence and debauchery;
and the final evacuation of American troops, U.S. Embassy personnel and dependants,
and precious few Vietnamese citizens who helped them degenerates into a mad stampede
for too few open seats on too few helicopters.
Big League Theatricals Inc.’s traveling version of Miss Saigon, energetically
staged by director Mitchell Lemsky, with bold and brassy musical staging by choreographer
Jodi Moccia, recreates the show’s famous helicopter scene with a convincing
video projection by Sage Marie Carter. Scenery designer Adrian Vaux does a terrific
job of recreating bar, street, and bedroom scenes from the seedier parts of Saigon
and Bangkok, Thailand; lighting designer Charlie Morrison helps keeps the atmosphere
sleazy and ominous; and costume designer Andreane Neofitou mixes drab American
and Vietnamese uniforms with colorful outfits for the pimps and bargirls of Vietnam
and Thailand.
Musical supervisor Paul Raiman and musical director/conductor Kevin Casey provide
exuberant instrumental accompaniment for this tragic tale inspired by Giacomo
Puccini’s poignant 1904 opera Madame Butterfly; and sound designer Lucas
J. Corrubia Jr. does his best to ensure that the cast members’ dialogue
and vocals are audible. Even so, some dialogue and some lyrics were hard to hear
opening night (Tuesday).
Alan Gillespie and Jennifer Paz are excellent superlative actors and singers
as Chris and Kim, the show’s star-crossed lovers. (Chris is a world-weary
U.S. Marine, and Kim is a novice bargirl forced into prostitution when her family
is killed.) Their brief but passionate romance just before the Fall of Saigon
results in a son, Tam (five-year-old Jonathan Wade in a touching, mostly mute
cameo role).
Johann Michael Camat is wonderfully wicked a real pistol as The Engineer,
a Eurasian wheeler-dealer, pimp, and proprietor of the bar where the virginal
Kim must turn her first tricks. Emerita Alcid is a regular ball of fire as Gigi,
a veteran bargirl who takes Kim under her wing; Ashley Hunt is quite good as
Ellen, the deeply concerned American wife whom Chris married when he thought
Kim was killed during the Fall of Saigon; and Mario Tadeo is a master of menace
as Kim’s cousin Thuy, a brutal NVA officer who tries to force her to honor
the marriage contract their families made when they were children.
D.J. Oliver handles the preachy role of John, Chris’ best friend, fellow
Marine, and hell-raiser par excellence, very well. Haunted by the horrible plight
of the Amerasian children left behind in a society that scorns them as “Bui
Doi” (the dust of life), John becomes an international relief worker trying
to rescue as many Bui Doi as possible from persecution.
The current U.S. tour of Miss Saigon, which received an enthusiastic and unusually
lengthy standing ovation at the final curtain on Tuesday night, is an all-around
outstanding rendition of the hit West End and Broadway musical. Don’t squander
the chance to see this entertaining and thought-provoking show.
Note: For more information on how to help the Bui Doi, see the
Amerasian Child
Find Network (http://www.amerasian-childfind.org/ [inactive 1/07]),
which helps reunite Vietnamese children with their American fathers; and see
the Amerasian Hope Foundation (http://www.aahope.org/ [inactive 8/06]),
whose mission is to help “victims of the war from 1962 to 1975, including
children and young adults who grew up without benefit of a father.”
Broadway Series South presents Miss Saigon Thursday-Friday,
Feb. 17-18, at 8 p.m.; Saturday, Feb. 19, at 2 and 8 p.m.; and Sunday, Feb.
20, at 2 and 7 p.m. in Raleigh Memorial Auditorium in the BTI Center for the
Performing
Arts, 1. E. South St., Raleigh, North Carolina. $29-$64. BTI Box Office 919/831-6060.
Groups of 20 or More: 919/857-4565 or http://www.broadwayseriessouth.com/2004-2005/group.html#saigon [inactive
5/05].
Broadway Series South: http://www.broadwayseriessouth.com/2004-2005/broadway.html [inactive
5/05].
London Site: http://www.miss-saigon.com/ [inactive 9/06].
Internet Broadway Database: http://www.ibdb.com/show.asp?ID=6149.
The Tour: http://www.misssaigontour.com/ [inactive 9/06].
Study Guide: http://www.misssaigontour.com/studyguide.pdf [inactive 12/05].
Fall of Saigon Marine Association: http://www.fallofsaigon.org/ [inactive 8/05].
PREVIEW: Broadway
Series South:
Magnificent Musical Miss Saigon Returns to Raleigh Memorial
Auditorium
by
Robert W. McDowell
Broadway Series South will bring Miss Saigon, the magnificent PG-13
rated Vietnam War musical inspired by the tragic East-West romance
in the classic opera Madame Butterfly (1904) by Giacomo Puccini,
back to Raleigh Memorial Auditorium for eight more performances,
starting tonight. The current U.S. tour, produced by Big League Theatricals
Inc. and directed by Mitchell Lemsky, with musical staging by Jodi
Moccia, stars Alan Gillespie as Chris and Jennifer Paz as Kim, a
battle-hardened U.S. Marine coming apart at the seams and an innocent
Vietnamese girl newly arrived from the country and forced into prostitution.
Young Filipina/American actress Emerita Alcid, who plays Gigi, a veteran Saigon
bargirl who befriends Kim, says Chris and Kim meet at Dreamland, a sleazy bar
for GIs run by The Engineer (Johann Michael Camat). Kim and Chris fall deeply
in love during the final days before the fall of Saigon to the North Vietnamese
Army on April 29-30, 1975.
The night that Chris and Kim meet, Gigi wins the bar’s nightly contest
to be crowned “Miss Saigon” and sold to the highest bidder. In “The
Movie in My Mind,” Gigi describes Dreamland’s customers young
American soldiers on the make in acid terms:
They are not nice, they're mostly noise
They swear like men, they screw like boys
I know there's nothing in their hearts
But every time I take one in my arms
It starts:
The movie in my mind ….
Alcid says, “Gigi is basically the main bargirl at Dreamland and has been
there the longest out of all the girls. [Kim and Gigi want] to get out Saigon
and start a new life in America and leave the past behind. Gigi ... is close
to John [D.J. Oliver], Chris’ friend [and fellow Marine]; and she hopes
that he would be able to make her dream come true, but [it] turns out he wasn’t
as serious as she was. It’s totally heartbreaking to have all her hopes
and dreams crushed.”
Emerita Alcid says Chris and Kim are separated during the frantic American evacuation
of Saigon; and Chris thinks Kim is dead, never realizing that she not only survives
but is pregnant with his child and living precariously, first, in the newly rechristened
Ho Chi Minh City and, later, as a penniless refugee in Bangkok, Thailand, where
John now an international
relief worker trying to help the “Bui Doi” (dust
of life) Vietnamese children with absent American fathers finds Kim and her
three-year-old son, Tam (five-year-old Vietnam-born Jonathan Wade), in 1978.
More than anything, Kim still wants to take Tam to America to reunite with Chris
and live as man and wife.
Alcid, whose family moved from the Philippines and to New Jersey when
she was 10, says, “I’ve been here about 12 years. I went to the
American Musical and Dramatic Academy in New York for a semester, then[, three
years ago,]
I heard about auditions for [the U.S. tour Miss Saigon]. So, I went
and auditioned, and I got the job. It’s okay [that I dropped out of AMDA],
because I think this is a better learning experience for me anyway.”
Alcid says, “This is my first professional job, and it’s my third
year [touring in Miss Saigon]. I started as ensemble only, and my
second year I became the Gigi cover.” This year, she took over role of
Gigi and is understudying the role of Ellen.
"I love the show, I love the story, and I love touring, too,” Alcid
says.
Alcid says she has never known anyone like Gigi. “I haven’t experienced
anything like that,” she says. “But, in life, there’s always
something that you looking for and things that don’t work out; and you
get hurt and you just lose all hope.
"Gigi’s a strong woman,” claims Emerita Alcid, “because
she’s gone through so much in her life. But she longs for a perfect life
where she doesn’t have to do the things she does to survive.”
Also in the tour cast are Ashley Hunt, who will play Chris’ American wife
Ellen, who accompanies her husband on his trip to Thailand, never realizing that
Chris has a secret agenda; and Mario Tadeo, who will portray Kim’s
cousin and ruthless persecutor Thuy, a North Vietnamese Army officer who
tries to
force himself upon her.
The world-premiere production of Miss Saigon, produced by Cameron
Mackintosh and directed by Nicholas Hytner, opened on Sept. 20, 1989 at the
Theatre Royal
Drury Lane in London’s West End. Before it closed on Oct. 30, 1999,
after 4,263 performances, Miss Saigon won The Evening Standard and the London Theatre
Critics Circle awards for Best Musical.
Miss Saigon made its Broadway debut on April 11, 1991 at the Broadway
Theatre. Before it closed on Jan. 28, 2001, after 4,092 performances, the
show was nominated
for 11 1991 Tony Awards®, including Best Musical, and won three Tonys for Best Actor in a Musical (Jonathan Pryce as The Engineer), for Best Actress
in a Musical (Lea Salonga as Kim), and for Best Featured Actor in a Musical (Hinton
Battle as John) plus four Drama Desk awards, three Outer Critics Circle awards,
and one Theatre World award.
How does the current U.S. tour of Miss Saigon differ from previous
productions of this show? “There are certain things that we don’t have, certain
sets,” notes Emerita Alcid. “This is a touring version of Miss
Saigon,
and we have to make sure that everything can travel with us.”
Alcid says the direction and musical staging of Miss Saigon also differ from
that of the Broadway production, which was directed by Nicholas Hytner, with
musical staging by Bob Avian. She says U.S. tour director Mitchell Lemsky has
taken a fresh new approach to this timely love story, which according to the
London web site of Miss Saigon has been translated into 10 different languages
and performed in 138 cities in 19 countries before a combined audience of more
than 31 million people.
"Being on [the Miss Saigon U.S. tour] from the very start,” Alcid
says, “we were able to come up with our own characters and our own
blocking. A lot of things are the same [as they were in the Broadway production]
and
a lot of things are different from the Broadway version. But this production
is
just as good; it could be on Broadway right now.”
Before serving as director of the current U.S. tour of Miss Saigon,
Mitchell Lemsky was associate director for the show’s original Broadway
production and subsequent U.S. tours, as well as Canadian, German, and Japanese
productions
of this award-winning show by the French creators of Les Misérables:
composer Claude-Michel Schönberg and lyricist Alain Boublil, who collaborated
on the book for Miss Saigon. (Richard Maltby, Jr. helped Alain Boublil
write the show’s English lyrics.)
Before doing the musical staging for the current U.S. tour of Miss Saigon,
Jodi Moccia was the associate choreographer for the show’s Broadway
production, subsequent U.S. tours of Miss Saigon, and the Toronto production of the show.
In addition to Lemsky and Moccia, the creative team for the current tour includes
executive producer Daniel Sher, associate director Shidan Majidi, scenery designer
Adrian Vaux, lighting designer Charlie Morrison, costume designer Andreane Neofitou,
musical supervisor Paul Raiman, projection designer Sage Carter, animation producer
Leon Grodski, and sound designer Lucas J. Corrubia Jr.
If you haven’t seen Miss Saigon, says Emerita Alcid, “You should
just come and see the show. It will definitely touch you. You’ll definitely
enjoy the show. It’s a powerful show; it’s part of our history. You’ll
be able to learn a couple of things, too.
Broadway Series South presents Miss Saigon Tuesday-Friday,
Feb. 15-18, at 8 p.m.; Saturday, Feb. 19, at 2 and 8 p.m.; and Sunday, Feb.
20, at 2 and
7 p.m. in Raleigh
Memorial Auditorium in the BTI Center for the Performing Arts, 1. E. South
St., Raleigh, North Carolina. $29-$64. BTI Box Office 919/831-6060. Groups
of 20 or More: 919/857-4565 or http://www.broadwayseriessouth.com/2004-2005/group.html#saigon [inactive
5/05].
Broadway Series South: http://www.broadwayseriessouth.com/2004-2005/broadway.html [inactive
5/05].
London Site: http://www.miss-saigon.com/ [inactive 9/06].
Internet Broadway Database: http://www.ibdb.com/show.asp?ID=6149.
The Tour: http://www.misssaigontour.com [inactive 9/06]/.
Study Guide: http://www.misssaigontour.com/studyguide.pdf [inactive 12/05].
Fall of Saigon Marine Association: http://www.fallofsaigon.org/ [inactive
8/05].
Edited/updated 2/17/05.
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