Triangle theatergoers don’t often get a second chance to enjoy a show named
in two year-end Top 10 lists. Both the Raleigh, NC News & Observer and the
Durham Independent Weekly named Manbites Dog Theater’s provocative staging
of Russell Lees’ Nixon’s Nixon, deftly directed by Joseph Megel and
starring the underrated Derrick Ivey as the spitting image of Tricky Dick, drunkenly
ruminating on the eve of his August 7, 1974 resignation as president.
Nixon’s Nixon (and Sonnets for an Old Century) narrowly missed Robert’s
Reviews’ 10 best list in Manbites Dog’s most exciting season in years.
In reviewing this magnificent production of Nixon’s Nixon, I wrote:
“Nixon’s Nixon, a 90-minute 1996 OBIE-winning play by Russell Lees,
which is performed without intermission, is a timely political drama. It opened
at Manbites Dog Theater on Aug. 12, just three days after the 30th anniversary
of the ignominious resignation of President Richard Milhous Nixon (1913-94).
Lees’ fictional behind-the-scenes look at the disgraced 37th president
of the United States at the hour of his greatest vulnerability the evening
before he announced his resignation rather than face impeachment and almost certain
conviction for his role in the Watergate Scandal is a searing two-character
confrontation, superbly staged Manbites Dog guest director Joseph Megel in a
magnificent recreation of the Lincoln Sitting Room of the White House created
by scenic and lighting designer Shannon Clark.
“In imagining an 11th-hour conversation between President Nixon (played
brilliantly by Derrick Ivey) and Secretary of State Henry Kissinger (quite ably
impersonated Carl Martin), Russell Lees lays open the scarred psyches of both
men: Nixon, the increasingly paranoid son of a Quaker grocer, grew up in California
and Kissinger, the awkward son of German immigrants fleeing Nazi oppression,
grew up in New York and became of the greatest self-promoters in the whole history
of the Executive Branch.
“In Nixon’s Nixon, Nixon and Kissinger meet late at night for drinks
to discuss the imminent resignation of the president. As Nixon contemplates giving
up his cherished presidential office and departing Washington, D.C. in disgrace,
Nixon gets drunker and drunker and more and more belligerent. Kissinger, on the
other hand, is the soul of calm. If Nixon is a cornered rat, verbally lashing
out at his tormenters, Kissinger is a rat of another stripe. Self-absorbed and
entirely self-serving, Kissinger is more concerned with potential damage to his
own reputation than he is with the possibility that a paranoid president with
snakes in his boots will do something stupid, such as start a war, to avoid or
prolong facing the inevitable.
“With a terrific (unaccredited) makeup job, young and handsome Derrick
Ivey is a dead ringer for stoop-shouldered, scowling, jowl-shaking, baggy-eyed “Tricky
Dick” Nixon. Indeed, he not only looks like the former president; he sounds
so much like him that he seems to be channeling Nixon’s anguish from beyond
the grave. Credit voice/dialect coach Christine Morris for a superb job here.
“Even though he never adopts and sustains a really convincing German accent
his accent is pedantic and vaguely Eastern European and unlike the all-too-familiar
Dr. Strangelove accent of Henry the K Carl Martin is likewise effective as
Kissinger, a stiff, awkward man seemingly uncomfortable in his own body.
“Nixon’s Nixon is at its best and funniest when Ivey as a manic
Nixon and Martin as a stolid Kissinger are reenacting important meetings with
world leaders, meetings where they forged foreign-policy triumphs. Their canny
impressions of some of the household names of the 1960s and 1970s provide many
of the show’s black comedy moments.
“With bravura performances by Derrick Ivey and Carl Martin and provocative
staging by Joseph Megel, Manbites Dog’s presentation of Nixon’s Nixonis a must-see drama that is sure to grace some Triangle critics’ 10-best
lists. This is the best Manbites Dog show in years, made even better by the considerable
contributions of costumer Diana Waldier and sound designer Edward Hunt. So, buy
you tickets now before the show sells out.”
Manbites Dog Theater presents Nixon’s Nixon Thursday-Saturday, Jan. 6-8,
at 8:15 p.m.; Sunday, Jan. 9, at 3:15 p.m.; Thursday-Saturday, Jan. 13-15 and
20-22, at 8:15 p.m.; and Friday-Saturday, Jan. 28-29, at 8:15 p.m. at 703 Foster
St., Durham, North Carolina $10 Thursday and $15 Friday-Sunday, except pay what
you like Jan. 9th ($5 minimum). 919/682-3343 or http://www.tix.com/Schedule.asp?OrganizationNumber=150.
Note: There will be a post-show discussion Jan. 9th. Manbites Dog Theater: http://www.manbitesdogtheater.org/2/.
Richard Nixon (White House Bio): http://www.whitehouse.gov/history/presidents/rn37.html.
The Richard Nixon Library & Birthplace: http://www.nixonfoundation.org/.
Henry Kissinger (Nobel Prize Bio): http://nobelprize.org/peace/laureates/1973/kissinger-bio.html.
REVIEW
by
Robert W. McDowell